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Christmas is almost here. Can you believe it? For a lot of us, this time is immensely stressful. All those projects that have to be finished by the end of the year. Budget questions that require attention. Clients who don’t have time to provide feedback. (Or on the contrary, push for changes asap.) On top of that, there’s still the task of finding presents for our loved ones. Are you still at a loss for what to gift your fellow filmmaker friends, team colleagues, or even yourself? We might have an idea for you. MZed Pro makes a solid Christmas gift, offering access to more than 65+ courses taught by industry experts, with plenty of room to grow over time. And why is education still the best present? Read my opinion piece below.
I believe that education is a lifelong process and something that can be an immense source of inspiration. Sure enough, there are evolving tools, overall trends, algorithms, and societal issues out there that influence the films we make. However, we are still the ones at the heart of this process. It’s up to us to steer the ship of our art and to produce better stories. And how do we become better? Through learning, of course.
You might have come across this take on Reddit, YouTube, or other social media platforms. It goes like this: There is less and less intentional filmmaking. Movies don’t look like movies anymore. Filmmakers go for quantity instead of quality. Writers are bound to adjust storytelling, taking into account that the contemporary audience is used to scrolling on their smartphones while watching TV (meaning more exposition, simpler dialogues, lots of repetition, etc. Allegedly, there is even a term for this – “second screen engagement”.) Work that used to be cinematic, with practical magic and effective shots, slowly turns into average, fast-paced, poorly lit, “we’ll fix it in post”- type work.
Personally, I’m lucky to live in a bubble where it doesn’t feel quite like this. I don’t go to the cinema for blockbusters, and my colleagues and I tend to approach each client project as if it were a film with a story, rather than a nonsensical video meant to feed algorithms or entertain distracted viewers. Still, the point above holds true. Intentional filmmaking is becoming rarer. Many creators seem to be forgetting how to build an immersive, magnetic experience that pulls the audience into an imagined world.
And this is precisely where intention can become a signature, even for those working primarily in short formats. Learning how to make deliberate choices in storytelling, lighting, editing, or sound is what separates forgettable content from work that lingers. Isn’t that a strong resolution to carry into 2026?
This is where MZed Pro for Christmas comes in handy. (Regardless of whether you gift it to someone special, or to yourself.) Our educational platform is full of courses that tackle the topic of intentional filmmaking. Yet what exactly does this mean?
In simple words, it’s when everything in your film serves the story and vision. For instance, in the course “Cinematography for Directors,” filmmaker and educator Tal Lazar talks about “effective shots.” The idea behind it is that the images we choose for our scenes might not be conventionally beautiful or commonly likable, but they have to have a purpose. Mostly, these push the story forward, convey emotion, or give us some crucial information about the characters. For instance, take a look at this famous still from the classic, “The Godfather.”
Faces are dark, eyes are barely visible, and the characters are almost blending into the background. Not the most “enjoyable” image, is it? Yet it tells us so much!
Intentional filmmaking can also be seen in lighting choices. When viewers can understand the context simply by looking at an image, it is often because the lighting is doing its job. These shots from “No Country for Old Men” may well have been filmed entirely in a studio. Yet when we look at them, we immediately read a series of details through the lighting alone. It is night. The character is in a hotel room, not on the ground floor. Someone is approaching from outside, suggested by the spill of a fluorescent light seeping through the crack beneath the door. We understand all of this because we are familiar with how light behaves in real life, and careful emulation of those cues helps the story unfold without explanation.
Intentional editing not only sets up the rhythm for the film but also navigates the audience’s attention and creates the character’s arc. From the course “The Art and Technique of Film Editing,” held by Oscar-winning editor Tom Cross, I learned the answer to a vital question: “How do I cut in a way that I get into this character’s head?” It really helps to re-read the script, establish whose scene it is, and whose point of view you need to convey, before going through the footage. For instance, the “Whiplash” table scene below is all about the protagonist, Andrew, and the shift in his attitude after feeling unappreciated by his family. The editing leans heavily on reaction shots, allowing his emotions to come through without needing explicit dialogue.:
This is just a selection of examples and insights. Of course, intentional filmmaking includes all parts of the craft. It’s in screenwriting, in sound, in music, in production design, in visual subtext, in camera motion – in other words, in all of the many details.
The great thing about our MZed platform is that it also offers diversity. In over 65 courses, everyone can find something to their liking. You want to understand more about the language of lenses? Sure! Here is “The Art & Science of Lenses,” “The Secrets of Optics,” or even a specialized “Anamorphic Cookbook.” Increase your lighting game? Three diverse courses focus entirely on that – diving deep. More into wildlife and documentary filming? Well, MZed offers something for you, too. In fact, the platform offers many lessons that focus on very specific, often niche skills. These range from starting your own YouTube channel, recording foley, understanding LUTs, or coordinating on-screen combats. These topics each address a narrow area of expertise rather than broad, generalized filmmaking advice.
Check out our full list of courses here.
What we also strive for with MZed is constant adaptation. That means adding new courses regularly and also responding to a rapidly changing industry. In 2025 alone, seven new courses were produced, totaling 9.5 hours of runtime. These include:
And that’s not all. We have much more in the making, as well as grandiose plans for 2026. (It’s under wraps so far, but a lot of exciting things are waiting for us, like regular livestreams with industry experts.)
Watching practitioners break down their art, analyze famous scenes, discuss workflows on set and in post-production, and explain the theory behind it is so much fun. So, if you or your loved one truly is a filmmaking nerd or someone who wants to constantly evolve, they will love this gift.
I know, this text sounds like an ad, but I wrote it from the heart. If I hadn’t had access to MZed Pro, it would definitely be on my Christmas wish list. What about you?
With MZed Pro, you can stream hundreds of hours of filmmaking education. We continually add new courses (several are currently in production). Starting at just $29/month (billed at $349 in the first year, $199 from the second year, or billed monthly at $49), here’s what you’ll get:
Full disclosure: MZed is owned by CineD.Join MZed Pro now and start watching today!
How do you find the idea of gifting education for Christmas? Would it be something you wish for yourself? What are other great presents for filmmakers? Share your ideas with us in the comments below!
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Mascha Deikova is a freelance director and writer based in Salzburg, Austria. She creates concepts for and works on commercials, music videos, corporate films, and documentaries. Mascha’s huge passion lies in exploring all the varieties of cinematic and narrative techniques to tell her stories.