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The ASUS ProArt Display PA32QCV offers impressive accuracy and versatility for editors and colorists, though OLED still leads in visual brilliance. For this monitor review of the ASUS PA32QCV, I sat down with Gunther, my colleague, who is in charge of all our camera lab tests and who is now also checking and reporting back on the different displays he is using.
Let’s kick off this review with a short description of the ASUS ProArt Display PA32QCV: This is a 31.5-inch IPS monitor with 6K resolution (6016 × 3384), factory calibrated for ΔE < 2. It supports 98% DCI-P3 (There is a P3 color preset mode, which closely matches the color performance of a MacBook display), and 100% sRGB color gamuts. The monitor includes dual Thunderbolt 4 ports with 96 W power delivery, HDMI 2.1, DisplayPort 1.4, USB hub, Auto KVM for switching between two systems, and an ergonomic stand with tilt/swivel/height/pivot adjustments.
The ASUS ProArt Display PA32QCV is a 32-inch 6K IPS monitor aimed at content creators who value screen space and color fidelity. The matte finish reduces reflections, and its ergonomic stand allows full tilt and swivel adjustment. Connectivity is modern and practical—Thunderbolt 4 with 96W power delivery enables a single-cable setup for both display and charging, keeping desktop clutter minimal.
Unlike ASUS’s OLED models, the PA32QCV uses an LED-backlit IPS panel. This design cannot achieve true blacks, but it eliminates the faint cooling fan noise found in the company’s 4K OLED display. During long editing sessions, the screen remains warm but quiet.
Using a Datacolor Spyder Pro 2024 colorimeter and Spyder Pro 6.1 software, we measured the PA32QCV’s performance. Results exceeded ASUS’s own specifications:
A Delta E value under 2 indicates highly accurate color reproduction; our measurements confirm that this monitor performs exceptionally well in this regard. The only notable deviation was a slightly higher measured gamma of 2.3 versus the set 2.2, a minor difference that most users will not notice. ASUS could potentially refine this through a firmware update.
For both office and creative work, the 6K resolution offers generous workspace. Editors can comfortably display multiple timelines, grading panels, or documents side-by-side without external screens. During testing, color grading in DaVinci Resolve and standard office tasks felt equally smooth.
While the 600-nit brightness is sufficient for most editing tasks, the difference compared to an OLED’s contrast and luminance is visible—particularly in HDR workflows. Those seeking maximum visual punch will still prefer ASUS’s OLED ProArt PA32UCDM, which costs around $500 more. (Check out our PA32UCDM monitor review here).
ASUS’s 4K OLED display delivers richer blacks and superior perceived contrast thanks to self-emissive pixels. The PA32QCV trades that brilliance for higher resolution and fanless operation. Given the modest price difference—approximately $1,399 USD for the 6K IPS model and $1,899 USD for the 4K OLED—filmmakers focused on precise color grading may find the OLED still offers the better overall image.
The ASUS ProArt Display PA32QCV is a well-balanced, high-resolution monitor suited for editors, designers, and filmmakers seeking accuracy and workspace efficiency. Its measured Delta E and P3 coverage make it a trustworthy tool for grading, while its quiet operation and Thunderbolt 4 connectivity enhance daily workflow.
However, those prioritizing absolute image depth and contrast should consider the 4K OLED alternative. In short, the PA32QCV is a dependable all-rounder—accurate, practical, and solid for everyday professional use.
The ASUS ProArt Display PA32QCV is available for purchase at B&H, and for our European followers, you can find it at these vendors: UK, Italy, Benelux, Poland, and Hungary.
What do you think about the ASUS ProArt PA32QCV 32-inch 6K IPS monitor? Did you have a chance to use it, and if not, does such a 6K monitor raise your interest? Please share your thoughts with us in the comment section below.
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Johnnie Behiri is a documentary cameraman/editor/producer/director. He is also a Co-Owner/CEO of CineD and MZed